“I was 15 years old, and my best friend and I wanted to take a cab and go to L.A. and talk to George Lucas — we were so angry! Still today, the Ewoks. It turned out to be a comedy for kids," he said. "Star Wars became crystallized in its own mythology, very dogmatic, it seemed like a recipe, no more surprises. So I’m not dreaming to do a Star Wars because it feels like code is very codified.”
Blathers of Gene Bathurst
Sunday, December 1, 2024
Denis Villeneuve hates Ewoks too
“I was 15 years old, and my best friend and I wanted to take a cab and go to L.A. and talk to George Lucas — we were so angry! Still today, the Ewoks. It turned out to be a comedy for kids," he said. "Star Wars became crystallized in its own mythology, very dogmatic, it seemed like a recipe, no more surprises. So I’m not dreaming to do a Star Wars because it feels like code is very codified.”
Saturday, August 31, 2024
Head canon: Star Wars edition
Polish Star Wars poster? |
I like the idea of head canon, especially as I get older, and the franchises I loved get longer and longer in the tooth.
There's different international flavours of Star Wars, so why not my own? Copyright, that's why! |
Star Wars unlike you've ever seen it before! |
From Samurai rip-off to Samurai-in-Spaaace! |
Oh, Feral Kid... what wonderful memories you have! |
Thursday, August 29, 2024
What qualifies as a fan these days?
Star Wars fever sweeps the nation in '77 |
When I was a little kid, I got caught up in all the hype and fanfare over Star Wars. It was a cultural moment. I got toys, comics, books, the works. Later on I even played the RPG and bought miniatures to go with it.
And then... it all kind of faded away. I stopped reading sci-fi, stopped playing RPGs and boardgames, stopped watching the TV shows.
I had (have?) this card |
Now THAT'S a fan |
The awesome Hildebrandt poster, painted at the last minute on next to no reference, was on my door for years. |
Wednesday, August 7, 2024
Ewoks are cute rubbish, but still rubbish
D'aw, a space puppy equivalent! |
Ewoks are fuzzy little divisive furballs. The entire Star Wars fandom is basically split into two camps: those who hate them, and those who LUUUV the cute lil' bipedal Tribbles. One side will never convince the other.
It is a state of Civil War. And sometimes not so civil.
Battle of Isandlwana: now imagine the Zulu were waddling, 3 feet tall chubby toddlers covered in thick fur yelling their battle cry, "Yub yub"! |
Monday, May 27, 2024
Star Wars Hotel deep dive
Jenny Nicholson went on a Star Wars Hotel Cruise so we don't have to.
She gives what I thought was an in-depth, detailed and fair review. Well. What I saw of it. I mean, it's four hours long.
She throws out ideas they might have done that sound better than what they actually did.
I wanted to be a Disney Imagineer when I grew up; so much of what they have done is genius.
But not this.
It sounds awful.
Tuesday, February 13, 2024
Midjourney v6
Once more into the AI, breech, dear friends! |
I stopped using Midjourney with v4, when the generative AI platform began to look commercially viable.
Most of the images I rendered back in 2022 needed to be fixed up, edited by hand in ProCreate to remove glitches, fix hands, and other The Thing style horrors.
The fixes were relatively minor, overall. But they needed the finishing touches.
Now?
Midjourney v6, from what I've seen, have solved glitches and hands. The software has vastly improved, and at an incredible pace.
I've seen illustrations in online magazines rendered by AI. They're all over stock sites, even though they aren't supposed to be (or so I'd been led to understand... how do you sell something that can be shared freely?).
The strange artificial 'plastic' feel is still there, although less extreme. Creative prompt crafting can diminish it further.
I still have quite a stack of imagery rendered back in 2022, and I've fixed up a number in ProCreate. They look pretty cool.
But I don't think I'll be posting any more (not that anyone is looking anyway).
The impact of these AI renderers (and AI writers) is increasing. How the law will eventually deal with them, I have no idea. If they keep improving, companies focused on the bottom line will use them more and more. That will impact all the creative arts: why get into a field where you can be replaced by the click of a button?
Generative AI is amazing in so many ways, and it's a ton of fun to play around with. I can see why some people have become addicted to it. But the potential human cost, to arts and culture, is incalculable.
Saturday, February 10, 2024
Day of the Zombie Franchise
Franchises weren't really a thing (well, baring ancient, medieval and religious myths) until the Penny Dreadfuls of Victorian London. Cheap, 1 cent pamphlets filled with lurid tales of mayhem, murder, adventure and lascivious escapades. Sherlock Holmes was born out of that swamp. and Solomon Kane came soon after. Edgar Rice Burrough burst onto the franchise scene with John Carter and Tarzan, who were soon followed by a flood of others, from Flash Gordon to Zorro.
Film franchises started to take off in the late sixties, with James Bond and Planet of the Apes. Star Wars put the franchise phenomena into overdrive, and blockbuster sequel cinema arrived every summer. After the flick you could go to a fast food franchise, like McDonalds.
Star Trek came back from the dead thanks to legions of die hard fans (coupled with the success of Star Wars, which had dollar signs floating before the eyes of studio execs). Batman and Superman brought us two long running franchises; more recently, we've been doused in MCU.
Franchises are sucking up all the air, and then some.
I'm so old now I've seen franchises rebooted not once, not twice, but three times. And still the suits in Hollywood will not stop. Not while there is a buck to be made!
Inevitably franchises outlive their creator. Whatever message or meaning they imbued the property with is lost, and it lumbers on, soulless, consuming money like some kind of ravenous undead memetic monster.
Zombie franchises exist for one purpose, and one purpose only: to make money. That's it. It IS a business. But most creative people don't get into it just for the money; they want something more. They want to say SOMETHING. Beyond 'Give me your money,' that is.
The Combine cares first and foremost about the bottom line. That's why we have been inundated with lame remakes and reboots composed of pureed narrative mush for decades. Thankfully, miraculously, there are gems of sheer brilliance to be found in the chaff, brought into existence by force of will, creative genius, and selfless cooperation.
But the mush? They'll keep making that until we stop watching.
It's the only way to really kill Jason, Freddy, Wayne or Parker.