I've been continuing to bring to life Magnum Thrax in Instagram (@magnumthrax), using Midjourney renderings.
Over the last couple of months, Midjourney has improved by leaps and bounds. On release, it couldn't do wheels. Faces were asymmetrical and disturbing looking. Hands and feet were nonexistent. Now, they're often warped, but they're there. You can get wheels, tracks, recognizable vehicle shapes. Things seem to have more structure than they did before, using the Remaster button (the initial version adds lovely texture and an artistic flare that is sometimes absent in remaster, which can sometimes be stripped down and simplified to the point of looking cartoonish. But that's gotten much, much better as well...).
It's astonishing.
I can only imagine how good it will be in a year, or ten years.
This is really going to change things, although I wonder how it will wash out legally, as Midjourney uses millions of photos to construct its images.
For now, I'm having a lot of fun. Midjourney's kind of addictive, and once you learn to roll with its limitations, you can produce a lot of fabulous imagery.
Most of the stuff I've generated is from the history of the Magnum Thrax and the Amusement Park of Doom world, the satirical sci-fi adventure novel I wrote in The Before Time. =
A technowitch tending the deep underground cryocrypts. Much of the arms and hands were added in post. |
Emergency tactical response team assembles outside New York City during one of the bionitic zombie outbreaks that occurred before even The First Apocalypse |
Wait till you see what's to come.
If you can't, find more images right now over on Instagram @magnumthrax.
These images were all made with Midjourney (and some subsequent image fiddling in ProCreate... some a considerable amount of editing, some hardly any).
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